Calligraphy – Letras Enredadas Wed, 15 Sep 2021 14:57:59 +0000 en-US hourly 1 Calligraphy – Letras Enredadas 32 32 Nadia Wassef’s bookstore memoirs chronicle the upheaval in Egypt Wed, 15 Sep 2021 14:52:08 +0000

Egyptian author Nadia Wassef talks about opening the first independent bookstore in her home country; and her latest book in which she celebrates books and booksellers.

Nadia Wassef has seen a lot in her 40s. Born in the Egyptian capital, Cairo, she was seven years old in 1981 when the Muslim Brotherhood assassinated President Anwar Sadat and MP Hosni Mubarak became President of Egypt. She was 37 when the Arab Spring toppled the dictator in 2011.

A year after Abdel Fattah el-Sisi took power in 2014, she moved to the UK. Before that, Wassef had spent most of his life on Zamalek, an island in the middle of the Nile west of Cairo. It was here that she and her sister Hind decided to open their first bookstore, Diwan.

READ ALSO: The biggest artistic prize in Japan awarded to photographer Sebastião Salgado

She immortalized the experience in her book, Shelf Life: Chronicles of a Cairo Bookseller, to be released on October 5 – the German edition was released on September 13 under the title Jeden Tag blättert das Schicksal eine Seite um (Every day the destiny turns a page).

The idea of ​​a bookstore

The inspiration for the store came at a time when Wassef was feeling depressed and frustrated. “Our father passed away after a very long and hard illness,” she told DW.

Then at a dinner party with friends, she was asked a question: “If you could do something, what would you do?”

Wassef and his sister spoke in unison: they would open a bookstore. “I remember that night we sat there dreaming about it,” she said. “Hind, my sister, said, ‘It won’t be just any kind of bookstore, every shelf has to count, every book has to make a contribution.'”

As related in Shelf Life, the name Diwan was suggested to the co-founders by their mother Faiza. The word, Faiza explained, meant an anthology of poems in Persian and Arabic, but also meant a place where people gathered. It is used to connote a guest house and even an elegant sofa.

Diwani was also a word used to describe Arabic calligraphy, Faiza said, adding that the word would be easy to pronounce for English speakers, French speakers and Arabic speakers. Diwan was born.

Opened in 2002 as the only independent bookstore of its kind in Egypt, Diwan quickly became a huge success. Within a decade, it had stores in ten locations and approximately 150 employees. All this despite an ongoing revolution in the country.

Women doing business in Egypt

The chronicle of the Wassef bookstore is a testimony of the time. “In the past 10 years we’ve seen revolutions, we’ve seen one financial collapse, we’ve seen another revolution,” Wassef said. She refers to the Arab Spring that began in 2011, the brief democratic government that saw the Muslim Brotherhood rule the country, and the rise of the country’s current leader, El Sisi.

Wassef said he wrote the book, not only to better understand “my relationship with the city and the bookstore”, but to celebrate “a Cairo that existed 20 years ago”.

She describes the bookstore as “like a sister you might not get along with anymore, but you hang on to her because you know that only you have the same memory.”

Diwan was also her way of grappling with stereotypes, especially the idea that women in Egypt had problems doing business.

“Tell me how do men deal with being men [in business]”said Wassef, who decided she wouldn’t let these conventions get in her way.

“And I think when you operate in that mindset you keep moving forward,” she said, adding that her biggest challenge was universal: dealing with bureaucracy.

The importance of a bookstore

When the Arab Spring arrived in 2011, it was not, on the one hand, conducive to business.

“When you’re in the middle of a revolution and you don’t know if people are staying at home or going out, if the suppliers are going to deliver,” she recalls.

But on the other hand, bookstores like Diwan, with organized shelves and an adjacent cafe, thrive on discussions and ideas, on the freedoms she says are restricted in El Sisi’s Egypt.

Wassef tries to move away from the black and white nature of politics: “The problem with human beings is that we think in dualities. We think in oppositions because it’s easy. Unfortunately, the easy answers are nice, but they don’t give you much. “

This is partly why Diwan sold not only books in Arabic, but also in English, French and German, signifying a dialogue between cultures rather than a “clash of civilizations” – as in Samuel’s flagship book. Huntington of the same name.

Bookstores “are important in our lives,” Wassef said, because sometimes they are the source of an irreplaceable community that cannot be found by clicking an online order button.

“Bookstores anchor us, they help us travel safely, because we can come back,” she added. “You go and you come back. And that’s one of the things that’s extremely empowering.”

Shelf Life is therefore a “tribute to books and bookstores”. And, like Egypt, Diwan has certainly seen more than his fair share of change.

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Jana Traboulsi’s Kitab al-Hawamish explores the art of ancient “hyperlinks” Tue, 14 Sep 2021 06:43:34 +0000

Traboulsi – who works as an artist and educator in Lebanon – is among a list of eight finalists for the V&A Jameel Prize, all of whom have made works inspired by the Islamic tradition. This year marks the first time that the award has included contemporary design among its potential winners.

Kitab al-Hawamish, or Book of Margins, was created in 2017, when Traboulsi was commissioned to create a room for Beirut’s cultural center Dar El Nimr. After gaining access to the centre’s collection of ancient manuscripts and books, Traboulsi became fascinated with some of the design and calligraphy devices she found.

“There are a lot of design features – and not just from an aesthetic point of view, although aesthetically most of the books were amazing – in terms of functionality,” she says. “I discovered crazy navigation systems, signs that tell you something about different habits or readings, and a totally different relationship to orality.”

Several elements in particular caught his attention, including the use of diagonal writing in the margins of historical or religious texts, to provide readers with additional interpretation or context for the stories. Traboulsi draws parallels between this and modern use of hyperlinks, which also give readers the opportunity to delve deeper if they wish.

Instead of numbered pages, the designer says manuscript creators have often added keywords – the first word on the next page – at the bottom of each page, to facilitate continuous, rhythmic recitation, and save the speaker from any awkward pause when turning to the next section. His book also recreates the kind of “scar” found in an ancient parchment, where an animal skin was sewn together.

Divided into three chapters, Kitab al-Hawamish explores some of these marginal features and calligraphy, and includes an excerpt from a historic 10th century scribe’s book, as well as details on how to make parchment.

Traboulsi hopes the book will encourage visitors to the V&A – where all shortlisted works will be on display from September 18 to November 28 – to reflect on the perceived boundaries between design and art, as well as ask themselves what book design is all about. can and should look like.

“In magazines you have many types of reading, but not in books,” she tells CR. “One of my main revelations is how boring book design has become compared to what it used to be, and how uninteresting, not beautiful, a reading experience is. And also how in my area we have our understanding of good design which is European modernist design, as opposed to maintaining all that tradition which is a very rich reading experience.; janatraboulsi website

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Maison & Objet: What’s new? Hobbies. – ArchiExpo e-Magazine Sat, 11 Sep 2021 10:02:47 +0000

In hall 4 of Maison & Objet Paris 2021, three installations presented new products for the home, security and connectivity.

Maison & Objet Paris invited three guests to create a universe within the event that would touch on the notion of leisure (the installations are in hall 4 of the show). Elizabeth Leriche focused on residence; François Bernard, Founder & CEO of the Croisements agency, on protection; and François Delclaux, Founder and Director of the Un Nouvel Air agency, on connectivity.

The three guests also created an installation found in hall 3.

“BEING AT HOME” by Elizabeth Leriche

In the limited space allocated, Elizabeth Lerich used the release of exquisite new products to represent home comforts through design. She exhibited a pretty array of small essentials, benches and cushions, cozy and soft materials.

In the writing workshop, we are witnessing the return to office life now that the summer vacation is over. A selection of pens and notebooks, in a case focused on calligraphy and typography. In the DIY workshop, there is the energy of the creativity kit through many crafting and gardening materials. The bedroom area had a lounge-style space next to it, and the two dedicated areas worked well together to create a Zen atmosphere.

“We feel good at home,” said Elizabeth Leriche to the Maison & Objet press service. “The theme, which began even before the pandemic, is in total resonance with what we are experiencing. We wanted to show the internal nature of the house, its porous character ”. And the house is doing pretty well, thank you very much, since everyone is so interested in this sector. “It’s not a revolution, but we see these objects in a new light. It brings us renewed energy.

What’s new – Leisure. “TO BE AT THE HOUSE”. Courtesy of Maison & Objet.

In the bedroom / living room, an incredible suspension by Forestier named Capsules in suspension designed by Anon Pairot greets viewers. The lamps by Broste Copenhagen and Blomus can be found in the far right corner of the space, working in harmony with the pendant light.

The new products selected by Elizabeth Lerich show the intention; the emphasis on leisure is visible with the sheets of Dorothee Lehnen, En fil d’Indienne and Gabrielle Paris, to name a few. The soft textiles used by Mikmax Barcelona and the NOMA Editions furniture, mentioned in a previous article from our favorite brands of the event, and the tableware and ceramic objects by Sophie Masson Porcelaine and Clément Boutillon gave the room a natural touch as well. as wooden objects from Kristina Studio of the dam.

We especially enjoyed the feminine vibe as the artwork contributed to the calm aesthetic. A Woman’s Artwork from Tinystories Accompanied the Silhouette of a Woman by Mettehandberg Art Print.

What’s new – Leisure. “TO BE AT THE HOUSE”. Courtesy of Maison & Objet.
What’s new – Leisure. “TO BE AT THE HOUSE”. Courtesy of Maison & Objet.
What’s new – Leisure. “TO BE AT THE HOUSE”. Courtesy of Maison & Objet.

“PROTECT” by François Bernard and “CONNECT” by François Delclaux

Elizabeth Lerich has divided her installation into different rooms or specific spaces; however, the two Francis have kept for themselves a layout similar to that of a gallery. Leaving the reception area, we entered the room dedicated to connection by François Delclaux. Teleworking, the digital environment, the proliferation of applications, François Delclaux has dug into new products to facilitate our interactions with people and objects. It is “the era of all intelligent” where immediacy has become the norm.

In order to illustrate the evolution of IoT objects in a more simplified and ubiquitous way, he created an exhibition of objects that express how everything can now be used as an excuse to connect: air, sound, light, plants and our own sleep patterns.

What’s new – Leisure. “TO LOG IN”. Courtesy of Maison & Objet.
What’s new – Leisure. “TO LOG IN”. Courtesy of Maison & Objet.

Market maker has a coffee table speaker with integrated induction charger as well as a vintage sound bar equipped with TWS technology allowing the same sound to be broadcast on several speakers. Kikkerland features a stand-alone phone holder with an ergonomic design that provides comfort when using mobile devices such as phones and tablets.

In the following room, François Bernard has divided his section devoted to protection into different categories: travel, resources, mobility, home, weather and personnel. He saw the idea of ​​protection as a metaphor for taking care of his property, his body and his environment. It crosses categories and offers inspiration for everyday objects that are both practical and beautiful. He presented products from Esschert Design, Air & Me, Héloïse Levieux, L’atelier des Tanneries, Slow Design, Bag All and more.

What’s new – Leisure. “PROTECT”. Courtesy of Maison & Objet.
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Discover new skills at Lewes Priory Wed, 08 Sep 2021 06:05:00 +0000
Lewes Priory

The tour is organized by Lewes Priory Trust and is part of an EU funded project that has been heavily postponed. It marks the end of the UK’s participation in the Erasmus exchange program.

Sy Morse Brown, Chairman of the Lewes Priory Trust, said: “Visitors will be working in the priory herb garden with local medical herbalist Julia Behrens. They will learn about herbs and their uses and prepare herbal teas and ointments. Armed with this knowledge, they will be able to conduct herbal education sessions upon their return home. Visitors bring their own specialties – calligraphy and stained glass – and will give free workshops on these to the people of Lewes on Saturday, September 11.

“We are delighted to finally be able to welcome our visitors after so many postponements due to the Covid.

“Lewes Priory has played a very important role in Europe for many centuries, and it is great to re-establish and strengthen these links.

“Education has always been a priority for the Trust, and we look forward to learning more about our partners at the free workshops on Saturday. “

The workshops will be held, in English, in the Chapter House of Southover Church, Lewes, on the morning of Saturday, September 11, 9:30 am to 11:00 am, Calligraphy, 11:30 am to 12:30 pm Stained Glass.

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Uma Mahadevan-Dasgupta reviews “The Earthspinner” by Anuradha Roy Sat, 04 Sep 2021 10:30:00 +0000

Syncretism and unconditional love form the beating heart of this thoughtful novel

“Say it how you want, but say it. Fill in the holes. Work with whatever soil you get. A potter knows how to do this.

Anuradha Roy’s new novel comes as a breath of soft and fresh air. The first thing about the novel is its soft tone. Although he recounts violent and traumatic acts, he does so in such a calm, thoughtful and understanding tone that one finds oneself to think, with a touch of sadness, about so many things that could have been otherwise.

Fractures in the life of communities can arise in a moment of rage, when it can take years, even decades, to repair the damage. “Today, I marvel at the certainty of these people that their world would heal in a matter of weeks … As the city was remade, Kummarapet itself would fall to earth.”

Forced to create

The second thing about the novel is its setting. The main story takes place somewhere in the Deccan, but the location is not specified. One character dreams of traveling “where the mainland stretched as far as the eye could see, where rocks the size of a hill perched on top of each other.” It could be anywhere, any small town, animated by a few signs – a river, a forest, a potters’ house, an autorickshaw carrying the children to school, a handful of petty crimes reported in the newspaper. local. A microcosm of how we have lived for decades and how we might live.

The third thing about The terrestrial spinning top is his powerful description of the process of artistic creation. “My father would have said

The little master of Kummarapet: Uma Mahadevan-Dasgupta reviews

the change was the work of the earth turning, turning as it always had. The central metaphor is that of the earth and its soil, of work with hands and clay and a potter’s wheel. A river to wash away sorrows. A terracotta lamp which, when lit, casts the shadow of a flower. A sculptor who creates pots and lamps every day; and who one morning wakes up from a dream suddenly forced to create a monumental terra cotta horse. “In his dream, the horse had risen by itself like an earth fountain. He wore a pearl necklace and his ears were like two mango leaves on either side of his magnificent head… The mane descended down the neck in a wave, the eyes looked straight ahead, staring into eternity.

Lives left behind

Along with working with clay, there is calligraphy: the intricate and beautiful writing of words, created by humans to communicate and dedicate. A blind calligrapher dreams of the beauty of writing: “His fingers had forgotten what it was like to hold his bamboo quill or to hear its sound on paper – inaudible to all but him – to see the lines appear one by one. one, forming pages of beauty and learning. “

Sculpture, text and syncretism. Kabir’s epigraph, beautifully translated by Arvind Krishna Mehrotra, brings these various elements together into a whole: “I am a bowl / And I am a tray / I am a man / And I am a woman… I am nothing / Said Kabir / I am not among the living / Nor the dead ”.

But it is as easy to destroy peace as it is to shatter a clay pot into pieces. A man falls in love with a woman who lives in the same city, but they are separated by insurmountable religious barriers. “In this country, it’s just movie stars and cricketers who marry who they want,” says one character.

Ways to heal

Years later, the narrator meets a friend from her childhood and they reflect on the tragic turn of events and all that they, separately, have left behind: “I didn’t know when I would hear those intonations again. and these words, this particular language. of my childhood. I listened as if my life depended on memorizing every word.

At the hot and beating heart of history is a little dog: once called Tashi or good fortune, he is now Chinna, “little one”, proudly walking anywhere and everywhere in the village and town. “’Chinna, Chinna,’ Elango crooned to the dog, whose cries of pain grew weaker and sadder as the night passed. He kept stroking her back and it moved something inside of him that he didn’t know was there.

Like dogs do, Chinna teaches human characters what it’s like to be human. It is the little dog who can cross the borders that seem impassable to humans. “It was Chinna, Kummarapet’s big old dog, who had lived, loved and populated the neighborhood with versions of himself.”

Chinna connects people whose disparate lives would not otherwise intersect: a couple from the city, assaulted on the edge of a forest; a working-class potter who also serves as a local rickshaw driver, transporting children to school; two little girls, sisters, whose father is ill and whose mother is a reporter for the local newspaper; a lame girl and her grandfather, a near-blind calligrapher. Chinna brings them all together with her fearless and unconditional love. And show them a way to heal and be reconciled, a way out of painful darkness.

The Earthspinner; Anuradha Roy, Hachette India, ₹ 599

The examiner is in the IAS.

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5 scenes from Alif that gave us goosebumps! look here Wed, 01 Sep 2021 14:18:25 +0000
LSA 21: 5 scene from Alif that gave us goosebumps! look here

Geo TV’s hit drama series Alif needs no introduction.

Hamza star Ali Abbasi and Sajal Aly has captured the hearts of millions with the heartfelt directing of Haseeb Hassan and the unconventional script by Umera Ahmed. The addition of other top stars including Manzar Sehbai, Ahsan Khan, Kubra Khan, Saleem Mairaj and Saife Hassan only made the show more artistically enjoyable.

After continuously being ranked as one of the best shows in 2019-2020, Alif is now nominated for Best Drama at the Lux Style Awards. In the meantime, let’s take a look at some of the most inspiring and heartbreaking scenes from the series that have struck us all.

1. When Qalb-e-Momin rejects Momina for his film

LSA 2021: 5 scenes from Alif that gave us goosebumps!  look here

This powerful scene from episode one features Qalb-e-Momin (Hamza Ali Abbasi) and Momina (Sajal Aly). That’s when Momina comes to audition for Qalb-e-Momin’s next film and gets rejected after a heated argument. The storyline for this particular episode highlights the conflicting characters of Momina and Momin, thus setting the tone for the episodes to come.

2. When Abdul Alaa expresses his aversion to the work of Qalb-e-Momin

LSA 2021: 5 scenes from Alif that gave us goosebumps!  look here

Qalb-e-Momin’s argument with grandfather Abdul Alaa (Manzar Sehbai) from episode four is one of the defining points of the story. The argument escalates after Abdul Alaa visits Momin from Turkey and learns about his extravagant lifestyle. This particular scene later marks the beginning of Momin’s spiritual journey.

3. When Momina mourns her fate with Master Ibrahim

LSA 2021: 5 scenes from Alif that gave us goosebumps!  look here

This heartbreaking scene from the show’s first episodes delves deep into the piety of Momina’s character. He portrays his strength and spirituality in the midst of his many problems. The scene also highlights his deeply rooted relationship with calligraphy mentor Master Ibrahim (Saife Hassan)

4. When Abdul Alaa cannot stand Taha’s love for Husn-e-Jahan

LSA 2021: 5 scenes from Alif that gave us goosebumps!  look here

Abdul Alaa’s dislike of Husn-e-Jahan (Kubra Khan) is one of the most powerful moments in the drama. This scene sets the stage for the future life of his son Taha (Ahsan Khan) and his martial life with the approval of Husn-e-Jahan without Abdul Alaa.

4. When Momina asks Qalb-e-Momin for Abdul Alaa’s calligraphy

LSA 2021: 5 scenes from Alif that gave us goosebumps!  look here

This scene from Episode 16 shows yet another interaction between Momin and Momina. Completely contradictory with their first meeting, in this episode, it is Qalb-e-Momin who asks Momina to sign her next project on spirituality. Momina inturn asks her grandfather for the seven calligraphic paintings of Abdul Alaa.

5. When Qalb-e-Momin is struck by Momina’s transformation into Husn-e-Jahaan

In one of the last episodes of the drama, a particular episode brings out the love that Qalb-e-Momin has for Momina. He is upset when he sees Momina’s metamorphosis into Husn-e-Jahan. Momina’s father, Sultan (Saleem Mairaj) is also shocked at his transformation, given that he was one of Husn-e-Jahan’s close collaborators in previous episodes.

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University of Kashmir holds calligraphy competition Sat, 28 Aug 2021 10:18:35 +0000

Visual of a student doing calligraphy (Photo / ANI)

Srinagar (Jammu and Kashmir) [India], Aug. 28 (ANI): The cultural wing of the University of Kashmir held a calligraphy competition on Saturday as the University reopens with Covid-19 guidelines after two years since its closure due to the lockdown.

“In Kashmir, calligraphy has a thousand years of rich history and in the past, calligraphy was so popular among the people. But due to modernization, this art is dying and losing its glory, which the current generation does not have a good knowledge of calligraphy, ”said Aleeza, a participant.

“This is why the cultural wing of the University of Kashmir organized a wonderful calligraphy competition with guidelines that attract the participants, especially the girls who enjoyed the competition,” Aleeza added.

“Just like contemporary art, we try to do contemporary calligraphy. Anyone with a hand can do calligraphy. Calligraphy related paintings are easily sold abroad and in Kashmir because they are linked to our roots. come from Mughal and Persian culture, ”said Iram Malik, another participant.

The calligraphy is very old and the participation of the girls is more important because their hands are soft. Girls who live in Kashmir are trying to revive it by organizing such competitions. I think girls like to do such activities. There is a lot of artistic culture nowadays and as Muslims calligraphy is used in Arabic, Quranic verses and Persian. So to bring it back to life, we use contemporary art in it, ”said Mehak Mubeen, a participant.

I find peace and relaxation through calligraphy. I am grateful to the University of Kashmir because my heart soothes. we show our art and our talent, I have peace of mind because I know that I have done something, said Yasmeen, a participant.

“Our culture has Persian, Urdu and Sanskrit. We are trying to bring this art especially among young people so that the art continues. People can make a profession of it. Lots of students from many colleges. Students came from each and every district of Kashmir Government college students from Kupwara, Budgam, Sopore, Baramulla etc., responsible for culture, University of Kashmir.

Calligraphy has been organized to refresh the minds of students and revive development activities, the university organizes various programs including painting competitions, debates, seminars, calligraphy competitions and workshops.

For the past two weeks, students, especially girls, have participated in various contests including calligraphy. (ANI)

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Chinese tutoring companies adapt to core subject ban with hands-on lessons Tue, 24 Aug 2021 23:23:00 +0000

BEIJING, Aug. 25 (Reuters) – Chinese tutoring companies must learn new ways to make money after a ban on teaching basic subjects left them promoting courses such as drama and even parenting training in a race to replace at least a fraction of a once-lucrative business.

Companies such as New Oriental Education & Technology Group Inc (9901.HK) and Gaotu Techedu Inc (GOTU.N), listed in the United States, have added an array of courses and even new companies after the government banned the last month for-profit tutoring in all school subjects. and offer classes on weekends or holidays.

The ban aims to ease the pressure on pupils aged 6 to 15 in compulsory education as well as to reduce the financial burden on parents. However, it threatens to decimate an industry that executives and local media say employs 10 million people.

“The education giants are at a stalemate, but they must move forward – like a big ship cannot park in the sea,” the operator of the private kindergarten-based chain said. in Beijing, Richard Zhang.

“But the demand for athletic or artistic training is much more elastic than for academic training, so the cost of sales is very high,” Zhang said.

The industry, aimed at young people aged 3 to 18, was worth 800 billion yuan ($ 123.24 billion) in 2019 and is expected to reach 1.4 trillion yuan by 2025, the firm said last year. advice Oliver Wyman.

Yet now, while many companies have worked quickly to adapt, thousands more have closed, local media reported.

New Oriental this month announced “quality education” to teach, for example, computer coding, calligraphy and chess. She also separately established a housekeeping service company.

The company has also stepped up promotion of its parenting training class, teaching skills such as time management and which it says aims to help parents better understand children.

Gaotu has upgraded its app to focus on adult education with classes such as foreign languages, and math tutor Gaosi Education has started “Traditional Chinese Culture” classes, run over three weekends for 19,800 yuan.

“We will take students to the outskirts of Beijing to learn skills related to intangible cultural heritage such as kite-making,” a teacher from Gaosi told Reuters.

It will be “absolutely impossible” for such classes to support the ladder of private tutoring giants, said Tong Diyi, managing director of Beijing-based private equity firm Longwin Asset Management.

Such classes fall into what analysts call “quality education and vocational education,” which was estimated to be worth a third of the private education sector before the ban.

“There are already many players in the quality education sector, and at the moment it is not clear how much this market can grow to accommodate more participants,” Tong said.

New Oriental and Gaotu declined to comment.

Parent Jiang Ye paid around 20,000 yuan a year for his 11-year-old daughter to take a weekly two-hour math class in Gaosi. These courses end with the start of the school year on September 1st.

“Her goal is a good university, and the university won’t care if she can dance the ballet,” Jiang said.

($ 1 = 6.4912 Chinese renminbi yuan)

Reporting by Brenda Goh, Sophie Yu; Editing by Christopher Cushing

Our Standards: The Thomson Reuters Trust Principles.

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Hung Liu, Artist Who Mixed East and West, Dies at 73 Sun, 22 Aug 2021 17:40:50 +0000

Hung Liu, a Chinese-American artist whose work fused past and present, East and West, earning praise in her adopted country and censorship in her homeland, has died August 7 at his home in Oakland, California. She was 73 years old. .

The cause was pancreatic cancer, the Nancy Hoffman Gallery, which represents Ms. Liu in New York City, said in a statement.

His death came less than three weeks before the scheduled opening of a career investigation, “Hung Liu: Portraits of Promised Lands,” at the National Portrait Gallery in Washington. She was the first Asian American woman to have a solo exhibition there.

“A five thousand year old culture on my back; the world of the end of the twentieth century in my face ”, is how Ms. Liu described her arrival in the United States from China in 1984, when she was 36 years old. and already an accomplished painter. Her goal in America, she once said, was “to invent a way to allow me to practice as a Chinese artist outside of a Chinese culture.”